THE DOORS’ MUSICAL TASTES: WHAT MUSIC DO THEY GREW UP WITH?
What were the musical tastes of the members of The
Doors during their musical formation?
An interview given by the group in October 1967 gives
us some interesting insights on the subject. It takes place right after
the release of their second album, "Strange Days" (which was released
less than a month before this interview).
Let's start with the Doors' impressions and interests
in music during their teenage years.
Guitarist Robby Krieger states that his first
impression goes back to a genre called Jugband Music, an exciting blend of
blues and jazz played with rudimentary instruments and dating back to the
1920s.
Shortly after, the guitarist adds that his real
musical training can be traced back to Flamenco (listen to the introduction
Krieger plays on classical guitar in "Spanish Caravan" from
the third album of The Doors “Waiting For The Sun”).
Moreover, in another interview dating back a few
months earlier, the guitarist had cited the first album of the Paul Butterfield
Blues Band ("Paul Butterfield Blues Band", 1965) as one of the
decisive influences that pushed him towards the Rock genre.
As for Ray Manzarek, The Doors' keyboardist, we learn
from his words that his first steps in music were taken in good company: Blues
and Jazz. However, he cites two classical composers as very important elements
in the construction of his musical identity. They are J. S. Bach (1685 - 1750)
and I. Stravinsky (1882 - 1971).
Drummer John Densmore mainly mentions Jazz and of
course jazz drummers as important factors in his early musical interests.
Unfortunately, he does not specify in the interview which drummers inspired him
the most.
Anyway, we know from other interviews that among these
figures are Elvin Jones and Art Blekey (two of the best jazz drummers of the Hard
Bop style of Jazz and of the Jazz genre in general).
Finally, here is what Jim Morrison says about his
early musical influences and preferences.
The singer and frontman of The Doors lists Chuck
Berry, Jerry Lee Lewis, Elvis Presley and Little Richard among the artists who
first caught his attention. He’s talking about the golden age of Rock'n'Roll, which
started in the mid-1950s and ended approximately with the end of the same
decade.
We can see how each of these important artists had
vocal characteristics that resonate in some way with the approach to the voice
that Morrison would develop during his career with The Doors.
Turning to the moment the interview was recorded, two
curiosities emerge.
The first one is Ray Manzarek's preferences among the tracks
of the band's debut album ("The Doors," January 1967). The
keyboardist cites "The Crystal Ship" and "Light My
Fire" as his favorite songs on that wonderful record.
The second curiosity to emerge from the interview is Densmore's favorite song from the band's just-released second LP ("Strange Days"). It is "Moonlight Drive", a rock masterpiece in terms of compositional originality, melody and arrangement.
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