THE DOORS’ "HORSE LATITUDES": POETRY IN ROCK, LIVE
The fifth track on The Doors' second LP,
"Strange Days", is a poem called "Horse Latitudes" (link here).
This juvenile yet astonishing work by Jim Morrison is recited by the
frontman without instrumental accompaniment from the rest of the band.
The chaotic and dark background makes the already intense,
heartbreaking, complex and evocative lyrics even more so.
In 1967, putting a poem at the center of a rock record was extremely
innovative, a gamble intended to demonstrate the band's ability to offer more
than just music.
From the beginning of 1967 onwards, The Doors began including improvised
moments in their concerts, often in the middle of or between songs, dedicated
to Morrison's poems.
During these unique live performances, the keyboard, electric guitar and
drums were used to accompany the verses conceived and interpreted by Jim
Morrison's extraordinary talent.
The Doors' live performances thus became shows that transcended music to
incorporate elements of poetry and theatre.
The inclusion of an unaccompanied recited poem on the band's second
album, which was recorded in late spring and early summer of 1967 and released
on 25 September of that year, was intended to emphasize the significance of
these moments.
Afterwards, “Horse Latitudes” appeared on and off in the set list for
several years.
Here, we present two examples of how the band performed it for the
public: two moments separated by just over two years yet connected by the
poem's arrangement.
The first concert took place in Danbury, Connecticut, on 11 October
1967, two weeks after the release of the album "Strange Days".
The evening opens with an extended version of "Moonlight
Drive", a track from the latter LP, which appears as the sixth track
immediately after "Horse Latitudes".
In Danbury, once the final stages of "Moonlight Drive" have been reached, the group continues to keep the beat as a backdrop while Morrison begins to sing "Horse Latitudes" in a more melodic and mellow fashion than that created on the LP (here's the link).
The guitar effects created by R. Krieger as a background to the vocals
are interesting and designed to translate Morrison's words into sound.
Immediately after "Horse Latitudes", The Doors repeat the
final verse-chorus sequence of "Moonlight Drive" before ending the
song after 6 minutes and 30 seconds.
The second concert we will consider is the one that took place at the Felt Forum in New York on 17 and 18 January 1970 (here is the link).
At this time, the Doors were in the final phase of their live
performances, and the pattern described above for “Horse Latitudes” in Danbury
was repeated unchanged, as was the chosen arrangement.
During "Moonlight Drive", Morrison delivers the "Horse
Latitudes" verses in a relaxed manner, quietly laying them down on the
sonic foundation provided by the other three band members.
Notably, Robby Krieger's guitar accompanies the recitation with
restrained electric blasts, smoothed by the 'slide guitar' technique that was
employed so originally and effectively in this case.
A few seconds before launching into "Horse Latitudes",
Morrison gifts the New York audience (and us) with an additional improvised
verse taken from one of his other poems.
This improvised verse is quite cryptic: “Children of the caves will
let their secret fires glow”.
After this suggestive and fleeting line, “Horse Latitudes” flows
smoothly, only to ripple in the finale. In fact, as in Danbury, the singer's
voice soars for a few seconds at the end of the poem.
He thus once again presents a version of the poem that, despite its
content, is neither tormented nor aggressive, unlike the version on the “Strange
Days” LP.
While the October 1967 concert is a bootleg with inevitable audio
issues, the New York recording is much better in terms of sound quality.
We recommend both recordings, especially the Danbury one, as they offer wonderful
musical and artistic experiences.
They are two examples of how the Californian band was able to produce
music of the highest caliber, alongside artistic, theatrical and poetic
performances of great impact, unprecedented in the music scene of the time and
beyond.
P.S.: My book "The Doors Through Strange Days"- The most comprehensive journey ever made through The Doors' second LP, is available on Amazon.com, .uk, .mx, .it, etc.
Here’s a link:

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